Highlights
Human connection is one of the most powerful forces in storytelling. It shapes identity, influences behaviour, and determines how individuals respond to fear, isolation and social pressure. In both the Duffer Brothers’ Stranger Things (Season 1) and Charlotte Perkins Gilman’s The Yellow Wallpaper, human relationships are not simply background details they are central to how characters experience control, resistance and hope.
Although these texts emerge from vastly different contexts a late-19th-century Gothic narrative and a nostalgic 1980s supernatural drama they intersect through a shared exploration of what happens when human connection is limited, distorted, or intensified. This essay argues that both texts reveal how relationships can operate as both a source of emotional confinement and a catalyst for empowerment, particularly for characters navigating psychological distress, social expectations and personal transformation.
In Stranger Things (Season 1), human connection is constructed as a form of emotional and physical survival. The disappearance of Will Byers fractures the small-town community of Hawkins, yet it also triggers a network of collective support. One of the clearest examples is Joyce Byers, whose bond with Will challenges rationality, authority and societal doubt.
Even when others dismiss her as unstable, Joyce remains fiercely connected to her son:
This relationship positions her determination as an act of protective motherhood. Rather than being a sign of delusion, her emotional connection becomes a powerful resistance to institutional disbelief.
Similarly, the friendship between Mike, Lucas, Dustin and later Eleven demonstrates how connection becomes a form of loyalty and identity. Their bond is constructed around:
shared curiosity
emotional trust
mutual protection
When Mike tells Eleven, “You’re our friend now,” this declaration does more than include her in their group it symbolically gives her belonging, identity and safety in a world that has repeatedly exploited and controlled her.
Human connection in Stranger Things therefore functions as:
a survival mechanism
a moral anchor
a challenge to authority structures
a means of restoring emotional wholeness
Yet, the series also reveals that connection has boundaries. Hopper’s grief distances him from others, and Nancy’s emerging independence strains traditional expectations. Connection is shown to be fragile, powerful and deeply human.
In contrast, The Yellow Wallpaper demonstrates how human connection can become oppressive when shaped by patriarchal values and medical authority. The narrator’s relationship with John her husband and physician is presented as caring on the surface, yet deeply controlling beneath it.
John insists he knows what is “best” for her and prescribes the rest cure, removing her from intellectual stimulation, autonomy, and social engagement. His authority transforms connection into surveillance.
He assures her: He loves me very dearly, and hates to have me sick.”
However, his love is defined by dominance, rational superiority and emotional dismissal. The narrator is infantilised through language such as:
“little girl”
“blessed little goose”
What appears to be affection instead reinforces power imbalance.
Here, connection does not heal it restricts.
The narrator is isolated from:
meaningful companionship
creative expression
emotional validation
As her psychological state deteriorates, she turns inward, forming a disturbing connection with the imagined woman behind the wallpaper. This symbolic connection functions as both fragmentation and rebellion, representing suppressed identity fighting against social constraint.
Where Stranger Things portrays connection as life-affirming, The Yellow Wallpaper exposes its potential to damage when structured by authority and gendered power.
Despite their contrasts, both texts intersect in their exploration of isolation.
In Stranger Things, isolation is external and situational:
Eleven is separated from society by experimentation
Will is trapped in the Upside Down
Joyce is dismissed and misunderstood
These characters are isolated but actively seek connection.
In The Yellow Wallpaper, isolation is imposed through social and medical control. The narrator’s emotional world collapses inward because meaningful human contact is denied rather than unavailable.
Across both narratives, isolation becomes a catalyst for transformation:
Eleven discovers identity through friendship
Joyce finds strength through maternal instinct
The narrator resists through psychological fragmentation
Connection whether present or absent shapes how characters respond to fear, trauma and identity.
Both texts reveal the cultural beliefs surrounding connection in their respective contexts.
19th-century patriarchal marriage norms
authority of male doctors
silencing of women’s emotional expression
Connection equals control.
nostalgic family and community structures
value of friendship loyalty
distrust of institutional power
Connection equals empowerment.
Yet both warn that relationships are shaped by:
social values
authority structures
emotional expectations
Neither text presents connection as simple or universally positive instead, it is complex, negotiated and deeply ethical.
Both texts rely on aesthetic and stylistic features to deepen their exploration of human connection.
warm lighting and close-up framing emphasise intimacy
parallel plotlines foreground emotional interdependence
nostalgic visual style reinforces themes of friendship and unity
The aesthetic invites viewers to feel part of a shared emotional world.
first-person narration creates psychological intimacy
fragmented diary structure reveals emotional deterioration
gothic symbolism reflects internal confinement
The aesthetic traps the reader inside the narrator’s mind, mirroring her relational isolation.
Form and meaning operate together to shape representation.
Both Stranger Things (Season 1) and The Yellow Wallpaper demonstrate that human connection is never neutral. It can heal, protect and empower or confine, silence and destabilise.
Across time periods and genres, these works reveal that:
relationships define identity
authority influences intimacy
isolation reshapes perception
connection can become a site of struggle
Where the narrator of The Yellow Wallpaper is controlled through enforced dependence, the characters in Stranger Things resist danger through collective strength. Together, these texts invite audiences to reflect not only on how we connect with others, but also on how those connections shape the boundaries of autonomy, vulnerability and human resilience.
The assessment required the student to produce an analytical essay exploring how human connection is represented in two texts:
Stranger Things (Season 1) The Duffer Brothers
The Yellow Wallpaper Charlotte Perkins Gilman
The key expectations of the task were to:
Analyse how human relationships influence characters’ identity, behaviour, and emotional experience
Compare how connection operates as both:
protection / empowerment
confinement / control
Discuss themes of isolation, power, cultural values, and psychological struggle
Explain how aesthetic and stylistic techniques shape meaning in both texts
Draw comparisons between contexts, characters, and representations
Conclude with an evaluation of how connection functions as resistance, control, or survival
The assessment required:
Critical comparison across both texts
Evidence-based interpretation
Thematic discussion
Consideration of context and power structures
Structured argument supported by textual ideas
The Academic Mentor supported the student through a structured analytical writing process. Guidance was provided in the following stages:
The mentor first helped the student:
unpack the assessment question
identify the core theme: human connection in storytelling
recognise that the task involved:
comparison
interpretation
analysis of representation rather than retelling the plot
The student was guided to frame the essay around:
survival, control, empowerment, and isolation
emotional, social, and psychological dimensions of relationships
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