Produce a comparative Writer’s Statement reflecting on choices you made in two of your AT2 Text Productiontasks.
The three created texts have varied in text type and audience. The texts have achieved different purposes, namely, to communicate information, entertain, and persuade.
To achieve the best results in this task you will need to comment on the following categories
Form and length
It is advised that you integrate your comments about each of the two/three texts as you compare and contrast them. Avoid writing about each created text separately.
The writer’s statement should be a maximum of 1000 words; an oral and/or multimodal writer’s statement should be of equivalent length.
Some guiding questions to consider for the writer’s statement (also refer to scaffold template:
This assessment requires students to produce a comparative Writer’s Statement reflecting on the choices made while creating two AT2 Text Production tasks such as a Narrative, Review, or Inspirational Speech. The statement must explain why specific creative decisions were made, how the language and stylistic features were selected for the intended audience, and how the writing was adapted to meet different purposes, such as informing, entertaining, or persuading. Students must address key areas including purpose, context, audience, form, language devices, and conventions, while integrating comparisons across both texts rather than discussing them separately. The statement should also reflect on the found poem transformation, drafting process, challenges faced, and how the texts achieved publication-quality standards within a 1000-word limit.
The mentor first helped the student unpack the requirements by breaking down the key focus areas purpose, context, audience, form, and language devices. Together, they identified the two selected texts from AT2 and clarified their core objectives (e.g., to entertain vs. to persuade).
The mentor guided the student in analysing how each text’s purpose shaped its structure and tone. For example, the narrative emphasised imagination and storytelling, while the speech highlighted motivational language. Historical, social, or cultural contexts influencing each text were also outlined.
Next, the mentor assisted the student in describing the audience profiles including age groups, values, and expectations and linking these directly to writing decisions such as tone, vocabulary, and examples used.
The mentor encouraged the student to compare the structural forms such as narrative arc vs. speech structure. Together, they highlighted features like titles, layout, dialogue, emotive language, rhetorical devices, and how each was chosen to suit a different text type.
The student was guided to identify specific techniques they used (imagery, dialogue, humour, statistics, anecdotes, persuasive appeals) and explain why these were appropriate for the intended audiences. The mentor emphasised linking each device to its impact.
Instead of describing each text separately, the mentor helped the student structure the statement thematically, discussing similarities and differences in purpose, audience, form, and language simultaneously.
The mentor then guided the student in explaining how elements from the original texts were re-imagined into a found poem, highlighting shifts in tone, condensation of ideas, and repurposing of language.
The mentor encouraged the student to reflect on drafting challenges such as balancing comparison and explanation and to describe how these were resolved through revision, feedback, and refining language choices.
The mentor supported the student in polishing the final piece, ensuring coherence, academic tone, appropriate terminology, and alignment.
By following the guided steps, the student successfully produced a writer’s statement that:
Clearly summarised creative decisions across two distinct text types
Demonstrated awareness of audience expectations and purpose-driven writing
Compared and contrasted structural and stylistic features effectively
Explained the transformation process into a found poem
Showed reflection on the drafting and editing process
Applied key concepts of text production, audience analysis, creativity, form, and language features
Learning Objectives Covered:
Understanding and applying structural and stylistic conventions
Writing for varied audiences and purposes
Using language devices effectively
Demonstrating metacognitive reflection on the writing process
Critically comparing text types and transformations
Producing a coherent, analytical writer’s statement
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